What My Clients Say

“Metamorphosis” production shot

“Simon would always get the shots you'd wanted - and surprise you with even better ones. At the Lyric he was always the photographer I'd call first.”

“Simon spends more time than any other photographer I know getting under the skin of the production. It shows in his results: catching the fleeting moments that define a production and that will guarantee to get your show extra coverage.”

Natalie in rehearsals for “The Kreutzer Sonata”

“Simon's great skill is that he always creates images that absolutely capture the essence of the show.”

Vincent in rehearsals for “Cabaret on a Sinking Ship”

“I think this work of yours is stunning. Truly. I don't know how you did it ... You're the photographer for anything I do from now on.”

Westside Magazine cover

“Hey Simon, just received a copy of Westside Magazine which features your picture on the FRONT COVER!! (glossy free monthly magazine with a distribution of 47,000 and estimated readership of 250,000) - fantastic stuff!”

“Dick Whittington and his Cat” production shot directed by Steve at the Lyric Hammersmith

“Simon is one of the best in the business. From large scale Panto to intimate studio pieces, he has a real talent for capturing the heart of the show, in beautifully framed, dynamic and powerful moments.”

Lisa in rehearsals for “A Couple of Poor, Polish-Speaking Romanians”

“Photographers in a rehearsal room can change the energy or invade the process, but Simon is a brilliant rehearsal photographer because he understands and respects the process utterly. Actors are comfortable doing intense emotional improvisations with Simon clicking away. He's an integral part of the creative team. This is highly unusual in my experience.”

Andrea in rehearsals for “The Dog Beneath the Skin”

“Simon's all-round understanding of the process of theatre-making, as well as his confident, amiable, yet entirely unobtrusive manner allow even inexperienced actors to trust him instantly. The resulting shots are arresting, perceptive, incredibly frank, often moving and very beautiful.”

“Soho Streets” production shot

“Oh my god Simon – they are lovely! I’ve just had everyone crowding round the desk to have a look – all very impressed. Great results in really difficult circumstances. Thank you very much.”